17-18 ABR 2022 bra // 17-18 ABR 2023 MIS // 20-21 Sep 2024 CCK // 20-21 Nov 2025 ESP //
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La Malinche
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Teatro Nacional Cervantes · 75 min | 2024 | Stage Piece | ARG
Playwright: Cristina Escofet
Huesera: Maia Mónaco
Malinche: Ana Yovino
On-Stage Musician: Maximiliano Más
Costume Design: Adriana Dicaprio
Scenic Design: Alejandro Mateo
Lighting Design: Soledad Ianni
Audiovisual Design & Production: Lucio Bazzalo
Original Music & Musical Direction: Gerardo Morel
Director: Andrés Bazzalo
TNC Assistant Director: Vanesa Campanini
TNC Producers: Lucía Quintana, Sofía García Jabif, and Anabella Iara Zarbo Colombo
The piece recreates the story of Malinalli, princess of Paynala, as narrated by La Huesera (The Bone Woman)—a woman over 400 years old—through the corn kernels read by La Cantora (The Songstress). Stripped of her noble heritage by family decisions, Malinalli transforms into La Malinche, Hernán Cortés's "tongue" (interpreter) and the ultimate archetype of the pivotal woman caught between the Mesoamerican world and the Spanish conquest. Set between 1500 and 1523, this confessional work culminates with the protagonist on the verge of giving birth. Trapped between roots buried by genocide and submission to the power of Charles V and the Inquisition, between forgotten gods and a punishing religion, Malinche emerges as a raw figure: traitor or survivor?
Lucio Bazzalo’s audiovisual design and production build a visual universe that dialogues with the ritualistic and confessional dimensions of the play. Through imagery that evokes the intersection of the ancestral and the historical, his work accompanies Malinalli’s tale, weaving atmospheres that amplify the protagonist's voice and underscore the tension between Mesoamerican cultures and the machinery of conquest. The audiovisual elements operate as an additional narrative layer, integrating seamlessly into the stage performance to amplify the question that drives the entire piece.

Traitor or survivor. A woman speaks from 1521, on the verge of birthing a new world.

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